News: The Bunker to close at 53a Southwark Street in March 2020

News: The Bunker to close at 53a Southwark Street in March 2020

After an incredible tenure, The Bunker is closing its doors. Due to proposed redevelopment of the site, The Bunker will present its final show at 53a Southwark Street on Saturday 28th March 2020, three and a half years after the theatre opened in October 2016.

Over the past three years, The Bunker has seen over 160 productions from single nights to month-long runs. This year 86% of writers and 90% of directors working in the theatre identified as women, and the majority of writers and directors working with the venue identified as being from a background underrepresented on UK stages. The inclusivity seen in The Bunker's programming extends to its audience. Having welcomed over 40,000 ticketholders through the doors, it has also made over 500 tickets available for free this year through Black Ticket Project and committed since opening to make £10 tickets available at each performance for under-25s which increased to under-30s in 2018. A high percentage of visitors have been first-time theatregoers and from all socio-economic backgrounds, races, genders, religions, disabilities and sexualities.

Programming has included in-house festivals My White Best Friend (and other letters left unsaid) and This Is Black as well as productions We Anchor In Hope and Devil with the Blue Dress. The space has also been the home to productions and collaborations with the likes of Cardboard Citizens, National Youth Theatre, Mountview, Drama Studio London, and ongoing relationships with associate companies Harts Theatre Company, Damsel Productions and Pint-Sized.

The Bunker has supported its artists with dramaturgy, directorial, programming and producing advice, provided a free-to-use writers snug with free WiFi, tea and coffee, provided free sanitary products in their gender neutral toilets, given free space for RnD projects and script readings and offered free drop-in sessions for advice covering topics such as producing, programming, PR and publishing.

The theatre's final three months of programming will include a month-long run from BAZ Productions as The Process explores a malevolent alternative present swept up in the rise of alt-right politics, in spoken English and BSL; the final B-Side of Sunday/Monday performances from OPIA collective The Girl with Glitter in her Eye, an explosive collaboration of female and LGBTQIA+ artists, telling the story of a friendship complicated by the revelation of trauma; and a two-month Takeover Season (3rd February - 28th March 2020) of artist-led week-long runs of experiments, events and performances.
 

Artistic Director Chris Sonnex comments, "In 2016 I attended a new play Skin A Cat at a new theatre in Southwark. It was an interesting space full of all the possibilities that theatres can bring. Founding team Josh, Joel, Hannah and Lee had created something from nothing and it was to be admired. Fast forward 2 years and I found myself at the same theatre as Artistic Director.  I'm incredibly proud of what The Bunker has achieved in such a small time, and the achievements of the community of artists, producers and theatre professionals that have graced the underground theatre. These are achievements of the founding members, the current bunker staff, associates and volunteers and of course every single one of the family of audience members that came. This is why it is not with sadness that we announce that our beloved ex-carpark cum theatre will be closing in early 2020, but it is announced with pride. 

The Bunker family did something incredibly special, we provided a civic space for expression and risk from artists and theatre professionals that are representative of the London and Britain that I grew up in. We provided tickets at affordable prices for people from all spectrums of socio economic backgrounds. We provided free sanitary products in our gender neutral toilets. We gave a free space, with free wifi, tea and coffee for writers to come in from the cold. We mentored people and we saw sold out shows and runs and saw a plethora of award nominations and 5 star reviews. We had much more to do, but redevelopment means that we have to cut short our mission: to make a different kind of theatre, a theatre of inclusivity, transparency and kindness without losing any of our revolutionary soul. I know in my heart that all the artists that we have worked with will only go on to have incredible careers. I also know that I have been blessed with the most incredible, dedicated and talented staff and associates that theatre organisations should snap up immediately - trust me, you all will be better spaces with these souls in.

This may be the end for The Bunker in London Bridge, but it will be the place that launched careers, that supported people, that solidified crafts and provided incredible shows for audiences, whether you were a seasoned theatre go-er/maker or had never made/been to the theatre before. You won’t get to experience The Bunker after early 2020 but I guarantee that you will see the theatrical ripples of what our community of artists, staff and audiences did for years to come."

Executive Director David Ralf says, "Over the last three years, The Bunker has been home to all kinds of artistic, producing and operational experiments: our This is Black & Breaking Out festivals that sought to change and soften pay-to-play models that are prominent across the fringe and off-West End landscapes, our Writers' Snug and B-Sides, that sought to make our spaces accessible as a place for development, and our experiments with space in My White Best Friend and We Anchor in Hope to make the theatre a place that all could be comfortable in. Behind the scenes these were matched with our dramaturgical and producing support, our progressive and bespoke deals with producers, our co-productions - all in service of supporting and championing emerging and underrepresented artists. As we approach our final days at 53a Southwark Street, we will continue to champion artists with our Takeover Season, and it is my hope we will find a new space for The Bunker that will further empower and enable artists, and allow us to make further experiments to support them. In the meantime I am excited to take this moment to share a bit of the story of how we made The Bunker work, and what we've learned - look out for some tell-all blogs from me in the New Year."

Founding Director Joshua McTaggart says, "When we first received the keys for what is now The Bunker Theatre, along with a 6-month lease scrawled on the back of a flyer, I don't think we could have quite imagined what the former underground car park at 53a Southwark Street would have become three and a half years later. In such a short amount of time, an incredible team of artists and theatremakers from a range of backgrounds and disciplines rallied together to transform that space into what it is today: a home for creativity, collaboration, risk-taking, and storytelling. I will be forever thankful for the team that worked tirelessly back in 2016 so that we could open those doors in the first place. We founded The Bunker with the idea of doing things differently, and I am privileged to have shared the journey of ripping up and rewriting the rulebook with so many talented individuals over the years. As with the ephemeral nature of everything we put on the stage, something unique is created, and that creative uniqueness must eventually come to an end. The same is true of The Bunker itself, and I will always be grateful that we had the opportunity, the support, and the good-will to create The Bunker."

While no future space has yet been identified, Bunker Theatre Productions CIC is looking to explore options for other spaces where it would continue to support, develop and champion emerging artists.

Please address any queries to [email protected].